I completed copyediting another memoir, Snorkeling in the Soup, which is the companion book to Alan North’s Of Love and Stone. This tale follows the author on his rock climbing and cultural travels in British Columbia, Indonesia, Laos, Cambodia, Thailand, and Yosemite. It tells of theft, struggle, triumph, injury, fire, friendship, love, divorce, and lots and lots and lots of street food. The author plans to self-publish, so I’ll keep you posted on the book’s release.
Nong Sam River photo by Carrie Kellenberger/flickr.
It’s always an honor to edit a memoir, especially one as well written Alan North’s manuscript, currently titled Of Love and Stone. Alan (a published author with his Urban Adventure Handbook, Ten Speed Press) has a natural writer’s voice and weaves a narrative taking us from present-day (his return to rock climb full-time in Yosemite) to past (recollections of his relationship and moments that lead up to his divorce). It was pitched to me by a friend as Eat Pray Love for men. Definitely lots of grit, and inspiring to read about the mental aspects of rock climbing. Keep your eye out for this one!
Today I finished copyediting another book for the Center for Basque Studies: Mythology and Ideology of the Basque Language: A History of Scholarship by Antonio Tovar, who is pictured above looking very scholarly. This classic text, translated into English by Jennifer R. Ottman, explores the multitude of myths surrounding the origin of Basque, walking us through the ideologies of various scholars, and concludes with a very simple explanation of what can be proven. As we were dealing with a translated classic, I kept my edits to a minimum here to retain the author’s voice and style. Stay tuned to the Center for Basque Studies for more information on this book’s release. Photo from Bilblioteca Virtual: Miguel de Cervantes
I’m excited to report I’m finished with a behemoth copyediting job for the Center for Basque Studies, the near 450-page Innovation and Values: A European Perspective. This one took a lot of brain power to get through as the author (Javier Echeverría) discusses the current state of innovation studies. Lucky for me, the Center for Basque Studies uses a rock-star translator, Cameron J. Watson, and he brought his A-game to this text.
I just finished a beast (in length at least) of a book copyediting job for the Center for Basque Studies at the University of Nevada, Reno: The Basque Nation On-Screen: Cinema, Nationalism, and Political Violence by Santiago de Pablo, 548 pages in its manuscript form. A film study of how Basque culture and politics are conveyed on-screen, the book is a great read into fact, fiction, and myth in Basque Country history, particularly the period involving the democratic transition after Franco’s death and the various components of Basque Nationalism, especially ETA violence.
It’s amazing how much goes into the making of a film, and this book goes to show how, especially when politics are involved, films can take on all new meanings depending on the audience and the year they are viewed. Though many of the discussed films were box-office failures, I’ve marked a few for my Netflix queue.
I’ve had a busy and exciting past month. Work-wise, I’ve been using every corner of the old brain: copyediting for Clear Capital; writing ads for Smith + Jones; doing SEO work for Wolfsmith Media, Bona Fide Books, and Balance Bodyworks Tahoe in-home massage; copyediting a short story anthology and a current research book on violence and the media for the Center for Basque Studies; writing and proofreading for Moonshine Ink; proofreading for Tahoe Quarterly; continuing to manage the Tahoe Mountain Sports blog… wow, I’m dizzy just writing all that!
And to top of the madness, I had the privilege of joining the Bona Fide Books crew for the AWP annual publishing conference in Chicago. What a trip! We lived it up, and I plan to soon post a few topic-specific roundups, including my trip to the Art Institute, my Chicago dining recommendations, and of course the lowdown on AWP. I took the stormy Chicago skyline photo above from our hotel room at the Palmer House Hilton.